It’s not always possible, but if we’re doing anything more than things like unfolding 5.1 into Dolby Atmos-anything creative-we have to go to the original mixing team or we don’t do it. Do you work closely with directors and sound designers? He said it was the best representation of his work he’d ever seen and wished it could be repeated in more markets. And we’ve just done two titles, Dragonheart and Daylight, with director Rob Cohen (also of The Fast and the Furious fame ), and he was stunned with the result.
Our labour of love and attention to detail is much appreciated.
People have 4K and 8K screens, and potent receivers, and they crave content that’s good-looking and good-sounding.Ī lot of modern content has less attention paid to it, with automated dubbing and mixing for localisation, and with less time spent in general. I’d say the reaction has been purely positive, sometimes surprisingly strong. We added a few gunshot effects to the rears in one scene, and when there are cars flying through the air, we moved that effect overhead. How did you use Dolby Atmos on The Blues Brothers, and what did you learn from it?
#List of dolby atmos movies movie
At the time, it was the oldest movie to get Dolby Atmos, so that was ground-breaking for everyone-Universal, Dolby, and us. We simply asked him, he liked the idea, and we had our landmark movie. But I soon saw how a mix could be extended and turned into Dolby Atmos to add immersiveness and depth that enhances a movie without changing its artistic intent.Īs doing this would be a completely new version, we had to get the OK from the original director, John Landis. The studio, CSC in Hamburg, said “We have this brand-new Dolby Atmos set-up, are you interested?” I knew it was 3D audio but hadn’t worked with it before.
#List of dolby atmos movies tv
We were fed up with the quality of German-language film DVDs, which were basically just TV releases put on a disc. It was founded in 2004 by film producer Christian Becker and Phil Friederichs who had been in the DVD business since 1997. We talked to Christian Bartsch, technical director at Turbine, to find out how and why a 21st century technology fits in so well with 20th century material. Christian Bartsch: Technical director, Turbine
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